Lumpy pudding

Judging a poem is like judging a pudding or a machine. One demands that it work. Poetry succeeds because all or most of what is said or implied is relevant; what is irrelevant has been excluded, like lumps from pudding and 'bugs' from machinery. (Wimsatt & Beardsley)

Here we celebrate the excluded, lumpy parts of the pudding!

Oct 7, 2009 6:26pm
NOTES FOR SAM   for Samuel BeckettHow like the sun each dayhaving no alternativehe would rise to goto his writing table.How he understoodthat no utterancescould ever give shapeto the chaos of life.How by simplicityhe engaged vast ideasin tiny trickles ofclosely guarded language.How knowingly he facedthat great avalancheof fortuitous eventswe call the universe.How while waitingfor the hour to strikehe hoped that it would notand feared that it would.How he eliminatedthe superfluousto bring forthfundamental sounds.How his faceturned somberin the presenceof indiscretion.How he went silentwhen confrontedwith the factof his generosity.How a smile came to his eyesduring the final sentenceas he chanced upon the words:Oh to end again!
Copyright © 1996 Raymond Federman
Photo: Bruce Jackson

NOTES FOR SAM

  for Samuel Beckett

How like the sun each day
having no alternative
he would rise to go
to his writing table.

How he understood
that no utterances
could ever give shape
to the chaos of life.

How by simplicity
he engaged vast ideas
in tiny trickles of
closely guarded language.

How knowingly he faced
that great avalanche
of fortuitous events
we call the universe.

How while waiting
for the hour to strike
he hoped that it would not
and feared that it would.

How he eliminated
the superfluous
to bring forth
fundamental sounds.

How his face
turned somber
in the presence
of indiscretion.

How he went silent
when confronted
with the fact
of his generosity.

How a smile came to his eyes
during the final sentence
as he chanced upon the words:
Oh to end again!


Copyright © 1996 Raymond Federman

Photo: Bruce Jackson

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